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Nenu Devudni Telugu Movie Review

Starring:- Arya and Pooja in the lead, directed by Bala. Produced by K S Srinivas, and music composed by Ilayaraja. This Film Released on Febrauary 6th, 2009.

Plot

Rudra (Arya) is sent to Varanasi when he was kid since the astrologers told his father that the father and son should not meet each other for 14 years. When the father comes to search his son after 14 years, he finds out that Rudra has become an aghora. Rudra’s guru tells him that he should cut all the relationships to become Kal Bhairav and sends him back home. There is a local beggar’s mafia in Rudra’s village. And rest of the story is about how this mafia crosses the line of Rudra and how he punishes them.

Artists Performance

Arya is extraordinary as Rudra in this film. And if you see him in real life and in this film, you will not recognize him. It is a terrific makeover. The dubbing voice given to Arya by Ravi Shankar is excellent. Pooja is excellent as the blind begging girl. Both these actors are sure to bag awards. There are many new faces and physically challenged people cast in this film.

Story - Screenplay - Direction

The basic concept of the film is based on ‘Aham Brahmasmi’. Rudra character behaves like a God in the end. That is why this movie is titled as ‘Nenu Devudni’. Bala comes up with another authentic and highly disturbing film ‘Nenu Devudni’. The scenes involving physically challenged beggars are brutally disturbing. All the scenes involving Arya are heroic. Though there are a few commercial elements in the film, it is mainly aimed at awards and festival circuit. The following scenes are good

1. Introduction song of Rudra. 2. When the cop comes and says swamy while interrogating, Rudra responds by saying ‘deerghayushman bhava’. 3. The scene showing a small baby crying when Rudra shouts in court. 4. When the cop comes to light the ganja of Rudra, he shouts and cop runs away. 5. The scene in which Rudra drags Malayali baddies into bushes (just like predator taking his prey into woods after killing).

The following scenes need immediate attention

1. The comedy in police station where beggars imitate the old legends of Tamil cinema. This episode has no relevance to Telugu crowds.

2. The dialogues in the final scene by heroine are too lengthy and it makes crowd restless. It should be trimmed to minimum level.

Other Departments

Background music by Ilayaraja is extraordinary. One does get goose bumps in certain situations. Cinematography by Arthur Wilson is very good. Fights composed by Kanal Kannan are very effective and highly realistic. Art direction by Krishna Murthy is authentic. The producer should have guts to produce such a movie.

Last Word

First things first! Nenu Devudni is not for everybody. One should have stomach to absorb such a highly disturbing content. The plus points of the film are director’s conviction of sticking to realism while narrating story, riveting background music by Ilayaraja and performances. All the scenes involving Arya are good and heroic. The huge minus point of the film is disturbing content. Tamil nativity is also a drawback for Telugu crowds. On a whole Nenu Devudni is a treat for movie connoisseurs who doesn’t mind disturbing content. This film will surely have a gala time at international film festivals.

Konchem Istam Konchem Kastam Telugu Movie Review

Starring:- Siddharth, Tamanna, Ramya Krishna, Vijay Samrat and others, directed by Srikanth. Produced by Nallamalapu Srinivas, and music composed by Shankar-Ehsaan-Loy.

Plot

Siddhardh is a playful youngster with no emotions. His parents get separated in his childhood and he stays with his mother. He falls in love with Geeta (Tamanna) who comes to Hyderabad from a village. When she introduces him to her father (Nassar) he says the he would give the hand of his daughter to him if Siddhardh unites his parents. The rest of the story is all about how Siddhardh unites his parents (Ramya Krishna and Prakash Raj).

Artists Performance

Siddhardh is lovable in the role of a youngster. His emotions in the drinking scene are nice. His costumes suited him well. Tamanna is good as the girl who is torn between her father and her lover. Prakash Raj got lot of dignity to the role of father character he portrayed. He is excellent. There is a scene in which he acts like Robert Di Nero by saying ‘Aren’t you proud of me?’ three times (There is a famous ‘are you talking to me?’ episode in Taxi Driver film). Nassar is fair. Ramya Krishna is just ok in the role of doting mother with an attitude. Karuna and Samrat are adequate as buddies. Brahmanandam is good in most of the scenes (especially when he listens to ‘yeem’ in phone during Geetanjali spoof episode). Venu Madhav is good though his comedy is of mass type.

Technical departments

Story: Story of the film is nicely divided into two parts. The first half is about two youngsters falling it love and hence it is targeted to the youth. The interval block is about heroine’s father putting a condition. The second half is about the couple uniting the parents of hero which is targeted towards the family crowds. The whole film is based on the point that Prakash Raj and Ramya Krishna are separated. The reasons for the separation are not effectively established in the film. Hence the basic foundation of the entire film appears flimsy.

Screenplay – direction

Screenplay of the film is adequate. Direction of the film is good in parts. The narration is very slow. The director did well in second half while handling emotional scenes. But he could not get it right when it comes to the romance aspect in the first half. He should be commended the way he integrated the songs into the film. The thread of ‘crossing marks on the people you dislike’ (‘flushing the photo in toilet’ from Jab We Met?) is interesting. Vankai curry thread is also good. The characterizations should have been more consistent. Both Siddhardh and Tamanna characters in second half behave little amateurish from the scene when they quarrel about Geeta’s surname.

Other departments

Songs scored by Shankar Ehsaan Loy are excellent and they are picturized well and placement is perfect. Songs are so good that they dominated the story narration in the film. Lyrics by Sirivennela and Chandrabose are good. Mani Sharma’s background score is nice in the second half. Cinematography by Vijay C Chakravarthy is excellent. Dialogues by Abburi Ravi are neat in the second half. There are sentiment-oriented dialogues like ‘Evarikaina problem vaste amma nanna daggaraku veltaru. Amma nanne problem aithe?’ and Trivikramish lines like ‘nenu kaalu tho break veyyaledu, jaalitho break vesa’ (Brahmanandam). Editing by Srikar Prasad is adequate. Producer Nallamalupu Bujji should be commended for trusting his technicians and making this film with high technical standards.

Last Word

First half of the film is average. Second half has got emotional content. The plus points are excellent songs and emotions in second half. The negative point of the film is slow-paced narration (2:50 hours runtime). The scenes towards climax appear prolonged. On a whole, KIKK is an okay film that is targeted towards family crowds. KIKK is not a film for the morning show crowds. It is more targeted towards second show crowds (family crowds).

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Watch/Download Myaav Movie

Myaav is a Telugu film, starring Gayatri, Bhushan and Rachana Mourya and others, directed by Vidya. Produced by Chennupaati Nagamalleswari, and music composed by Sri Suman.
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Pawan Kalyan Byke in Puli Movie

Pawan Kalyan is appearing as a COP in the movie "Komaram Puli", which is being directed by S.J.Surya. This is 2nd time after Khushi, Pawan Kalyan is working with S.J.Surya. Sources said that Mitsubishi, a Japanese company got into a tie up with the makers of this film and provided a stylish vehicle for Pawan Kalyan to use in this movie. Shooting of this movie is in progress.

Pawan Kalyan's Attack on Congress

Nandi Awards 2007 Winners List

First Best Feature Film: Mee Sreyobhulashi.

Second Best Feature Film: Happy Days.

Third Best Feature Film: Lakshyam.

Best Home Viewing Feature Film: Chandamama.

Best Popular Feature Film providing wholesome entertainment : Aadavaari Maatalaku Ardhale Verele.

Best Director: -Krishna Vamsi (Film: Chandamama).

Best Leading Actor: D Venkatesh (Film: Aaadavaari Maatalaku Ardhaale Verule).

Best Leading Actress: Charmi Kaur (Film: Manthra).

Best Supporting Actor: Jagapathi Babu (Film: Lakshyam).

Best Supporting Actress: Janaki (Film: Amulyam).

Best Character Actor: Ahuthi Prasad (Film: Chandamama).

Allu Ramalingaiah Award for Best Comedian Actor: Uttej (Film: Chandamama).

Best Comedian Actress: Jhansi (Film: Thulasi).

Best Villain: Murali Sharma (Film: Athidhi).

Best Child Actor: Master Roshan (Film: O Chinnari Korika).

Best Child Actress: Baby Varshini (Film: Amulyam).

Best Film of a Director: Ravi Tenali (Film: Muhurtham).

Best Screenplay Writer: Srinu Vaitla (Film: Dhee).

Best Story Writer: Balabhadra Patruni Ramani (Film: Madhumasam).

Best Dialogue Writer: Ramesh-Gopi (Film: Aadavaari Maatalaku Ardhaale Verule).

Best Lyric Writer: Venigalla Rambabu (Film: Mee Sreyobhilashi: Song-Chirunavvulatho Brathakaali...).

Best Cinematographer: C Ram Prasad (Film: Munna).

Best Music Director: Mickey J Meyer (Film: Happy Days).

Ghantasala Venkateswara Rao Award for Best Male Playback Singer: Karthik (Film: O my friend: Song-Happy Days.

Best Female Playback Singer: Kousalya (Film: Gundelona Nuvee: Song-Satyabhama).

Best Editor: Kotagiri Venkateswara Rao (Film: Yamadonga).

Best Art Director: Srinivasa Raju (Film: Chandamama).

Best Choreographer (Dance): Noble (Film: Desamuduru: Song-Sathe..Ye..Godava Ledu).

Best Audiographer: Radha Krishna (Film: Manthra).

Best Costume Designer: Rama Rajamouli (Film: Yamadonga).

Best Makeup Artiste: Nalla Srinu (Film: Yamadonga).

Best Fight Master: Ram and Lakshman (Film: Dhee).

Best Male Dubbing Artiste: Ravi Shankar (Film: Athidhi).

Best Female Dubbing Artiste: Showmya (Film: Lakshyam).

Special Jury Awards:

Name of the Film: Gowthama Buddha (Producer: K Rajasekhar).

Name of the Awardee (Artistes): Bhumika Chawla (Film: Satybhama).

Name of the Awardee (Artistes): Ram Charan Tej (Film: Chirutha).

Name of the Awardee (Technician-Cinematography): N Sudhakar Reddy (Film: Anasuya)

Sarojini Naidu Award for Best Feature Film on national integration, communal harmony, uplift of depressed classes and inter regional integration: Chandamama.

First Best Children's Film: Amulyam-The priceless gift.

Second Best Children's Film: O Chinnari Korika.

Best Director Award of Children's Film title of the film: Ashok G Ushodyam.

First Best Documentary Film: Kalisundaam Raa. Produced by Commissioner, Social Welfare Department.

Second Best Documentary Film: Pragathi Padham. Produced by APMDC and A Durga Mahalakshmi.

First Best Educational Film: Good Bad Ugly.

Best Book on Telugu cinema- Anaganaga Oka Raa Kumarudu.

Best Film Critic on Telugu cinema: Challa Srinivas.